Advisory Circle
A growing circle of creative voices whose perspectives, conversations, and feedback have contributed to the evolving development of Lost Frames.
Janet Hicks
Owner, One Mile GalleryJanet is the owner of One Mile Gallery in Kingston, New York. With experience presenting and supporting contemporary artists, she brings a strong curatorial perspective and knowledge of exhibition development, artist relations, and the regional arts community to the advisory panel.
ANDREW MOORE
AdvisorAndrew Moore is an internationally recognized photographer known for work examining the layered histories of places and societies in transition. As an advisor to Lost Frames, he brings a photographer's perspective to the project's approach to archival imagery and visual narrative.
Don Matteson
Strategic AdvisorBrother of Lynn Matteson, whose story is featured in Between Frames, Don brings a personal connection to the archive along with decades of experience in investment strategy and hospitality. He advises the project on stewardship, long-term planning, and sustainable growth.
Project Leadership
PHILIPPE TRINH
Curator / Creative Director, MLTON Studios
Philippe H. Trinh is a Vietnamese-American creative director, photographer, and collector who has collected Vietnamese ephemera for more than two decades. His parents left Vietnam as political refugees during the war, carrying few photographs from that period. In Lost Frames, Trinh brings together images made by young American servicemen with glimpses of the Vietnam his parents knew—two lives and perspectives unfolding at the same moment, on opposite sides of the same history.
TECHNICAL & NARRATIVE DEVELOPMENT
EXHIBITION PRINTING
Guidance through the Center for Photography at Woodstock (CPW), with Alicia Schirrmeister, informed the black-and-white editing, paper selection, and exhibition printing process.
NARRATIVE DEVELOPMENT
Guidance from Adrianna Ault shaped the sequencing, image relationships, and narrative rhythm, exploring how meaning can emerge not only within individual photographs, but in the space between them.